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UPCOMING RELEASES
LP/ Digital
Werner Müller Orchestra
”Jazz Mutations” (Sono-107)
Unearthed Symphonic Jazz 1961
October 26, 2018
10inch LP/ Digital
Werner Müller Orchestra
”Feuilleton In Jazz” (Sono-108)
Unearthed Symphonic Jazz 1960/61
October 26, 2018
CD/ LP/ Digital
Jazz Community
”Revisited” (Sono-109)
Lost Modal & Post Bop 1979-83
November 30, 2018
CD & LP: Sonorama C-109/ L-109
JAZZ COMMUNITY - REVISITED
JAZZ COMMUNITY  Revisited Front Cover
JAZZ COMMUNITY  Revisited Back Cover
 
Track
Composer
Time
01
Snobben
Hans Kennel
3:40
02
Keiler
Walter Schmocker
7;28
03
Incarnation
Heiner Althaus
7:15
04
Paris Minor
Hans Kennel
6:32
05
Welcome
Jürg Ammann
7:04
06
Leaving The City
Heiner Althaus
7:05
07
Segara Village
Paul Haag
2:03
08
Fjorden
Hans Kennel
6:28
09
Scrap Iron *
Jürg Ammann
6:00
10
Afro Vision *
Heiner Althaus
4:43
11
Far Away *
Jürg Ammann
4:58
12
Desiderata *
Hans Kennel
9:40
All tracks recorded 1979 & 1983 in Switzerland,
* Non-LP-tracks, available on CD and digital album only

Tracks 1-4 recorded June 25 & 26, 1979 at Tonstudio Bruno Spoerri in Zurich: Hans Kennel (tp, flh), Paul Haag (tb),
Heiner Althaus (ts), Alex Bally (dr, perc), Armin Keil (p), Walter Schmocker (b),
Christian Beck (congas on „Snobben“), produced by Bruno Spoerri, engineer: Ron Kurz
Track 5-12 recorded live on April 20, 1983 at Mühle Hunziken, Rubigen: Hans Kennel (tp, flh),
Paul Haag (tb), Heiner Althaus (ts), Jürg Ammann (p), David Elias (dr), Michel Poffet (b),
produced by Paul Haag, recording and mixing: Mobiles Tonstudio Peter Pfister, Berikon

CD & LP: Sonorama C-109/ L-109 (Release Date: 30.11.2018)

JAZZ COMMUNITY REVISITED - Background

There were many changes in the Swiss jazz scene of the 70’s. Some of the groups were dissolved and new ones founded. During this time "Jazz Community" was launched and the group distinguished themselves from many others with an impressive pre-history. This history runs deep with the sextet "Magog" founded in 1973. "Magog” achieved international success through live performances at the Montreux Jazz Festival and the release of two LP’s. Significantly involved was the brass section, consisting of Hans Kennel, Paul Haag and Andy Scherrer. When the latter left the sextet for a stay abroad, Heiner Althaus, following Scherer's recommendation, succeeded him.

After the disbanding of "Magog”, the front line stayed together to form "Jazz Community" in 1978. Although they played well together, the brass players incorporated different styles of soloing, which was perceived as an enrichment. Kennel, one of Switzerland's best-known Hard Bop trumpeters, presents himself as a mature ballad player and a free, resourceful improviser. Haag blows the trombone in a strong, earthy style of the early Jazz years. Althaus improvises in airy climes with rich landings. The band's performance at the Montreux Jazz Festival in 1979 was released on a live LP, with four additional tracks recorded in the studio of Bruno Spoerri.

In 1981, the rhythm section of "Jazz Community" was replaced, which brought about a completely different sound and style. The three Bern musicians Jürg Ammann, Michel Poffet and David Elias had played together in the band Uepsylon for several years. Back then they were one of the liveliest rhythm groups of the Swiss Jazz scene. They avoided common schemes and thanks to Ammann as a composer of themes, broke new ground. Again, a live recording was released, this time under the name “Il Topo”. This double album can be interpreted as a summary of the “Jazz Community” repertoire. Jürg Solothurnmann: Il Topo, for "eager" lovers of Post-Bop (quote from the album cover). This new compilation “Jazz Community Revisited” contains both live recordings from Il Topo and the four studio tracks from 1979.

Elke Mangelsdorff, based on text passages by Jürg Solothurnmann, LP cover “Il Topo”


JAZZ COMMUNITY FOUNDER - Hans Kennel

Hans Kennel played in one of the first Modern Jazz groups in Switzerland, in the quintet of the visionary composer and multi-instrumentalist Remo Rau. The progressive repertoire of the group included original material, but also versions of tracks from the first LP by Ornette Coleman. In the early 60’s Rau worked as a promoter for the Zurich Jazz club "Africana". He wrote Operas, Chamber music and experimented with different styles of Jazz. He was introduced, personally, by Horace Silver at the piano to the harmonies and rhythms of Hard Bop. This quintet also took its first steps towards Free Jazz, and Kennel developed into one of the best Swiss Jazz trumpeters.

In 1962 he was awarded as "Absolute Best Soloist" at the Amateur Jazz Festival in Zurich. Four years later, Kennel won the award again, but appeared out of competition. He studied classical trumpet at the conservatories of Zurich and Freiburg, then Jazz at the renowned Berklee College of Music in Boston.

His musical path led him through a variety of styles, from Hard Bop to Jazz Rock (with the “Jazz Rock Experience”), freer music (with “Magog”) and Post-Bop (with “Jazz Community”) to the combination of Jazz and Swiss Folk music. In 1983, he founded the formation “Alpine Jazz Herd” with Jürg Solothurnmann. Meanwhile, Hans Kennel experiments with natural horn instruments. For him, "Jazz" has just become a word in quotation marks. He plays instruments such as alphorn or büchel and leads highly individual ensembles that combine Jazz elements with the traditional melodies of Switzerland.

His work with new harmonies, which are dependent on the intervals of the natural tone series, led to the renaissance of the alphorn. To this day, he explores new sounds, breathing techniques and effects. Hans Kennel says: "Folk music is primarily music that suits itself and the performing community. World Music is the opposite. This is not genuine music, but an economic operation. The vile commerce that uses elements of Folk music. Isn`t it astonishing that in this country, freely available music from Africa, Asia, etc. is 'cool', but its own lively Folk music is not? And what about the vanity of cultural institutions who “decorate themselves with foreign feathers”. From "Jazz in der Schweiz (Jazz In Switzerland)", (Chronos Verlag).

Ekkehart Fleischhammer, based on text passages from "Jazz in Switzerland"



Photo on frontcover of Jazz Community at Montreux Jazz Festival Georges Braunschweig/ GM-Press,
audio restoration, editing and final mastering in 2018: Roskow Kretschmann at Audiomoto Berlin,
graphic logo of Jazz Community on frontcover designed 1979 by Walti Hollenstein, used by friendly permission,
cover artwork: Patrick Haase, producer (for release): Ekkehart Fleischhammer.
Thanks to Hans Kennel, Bruno Spoerri, Paul Haag, Elke Mangelsdorff, Walti Hollenstein,
Fabian Stephenson, Georges Braunschweig and the great musicians of Jazz Community.